Record Details

Artist:	Brian May
Title:	Back To The Light
Format:	CD
Label:	EMI
Cat No:	TOCP-7235
Released:	30 Sep 1992
Country:
Genres:	Blues RockClassic RockHard RockPop Rock
Condition	Mint
Status	Have
Added To List	14th August 2023

Additional Information

Comments

Includes a 24-page booklet and an obi. Tracks 13 and 14 indicated as *Bonus tracks only for Japan From the back cover: ℗ 1992 Original sound recording made by Duck Productions Ltd. except track 6,14 ℗ 1991 Original sound recording made by Raincloud Productions Ltd. track 11,13 ℗ 1991 Original sound recording made by Duck Productions Ltd. Under exclusive licence to EMI Records Ltd. © 1992 Duck Productions Ltd. [...] 東芝EMI株式会社 Made in Japan From the disc face: Mfd. by Toshiba EMI Ltd. in Japan. From the booklet: All tracks published by Queen Music Ltd. / EMI Music Publishing Ltd. Except tracks 4,7 published by Queen Music Ltd. / EMI Music Publishing Ltd. / Mystery Music Ltd. track 12 published by EMI United Partnership Ltd. The Dark Includes material engineered by Alan Douglas at the Townhouse Studios, 1980 Back To The Light [...] First Ideas for this song engineered by Brian Zellis and Pete Schwier March 1988 [...] Resurrection [...] Includes material engineered by Sean Lynch and Leis Masses at Mono Valley Studios and Marcus Studios [...] Driven By You [...] Recorded and mixed with David Richards co-producing, at Mountain Studios, Montreux, Switzerland, 1991 Nothin' But Blue [...] Includes material engineered by Sean Lynch and Leis Masses at Mono Valley Studios and Marcus Studios I'm Scared [Justin's mix '92] [...] Last Horizon [...] Includes material recorded with David Richards at Sarm Studios Just One Life [...] Includes material engineered by David Richards at Mountain Studios, Montreux Rollin' Over [...] Includes material engineered by Pete Schwier, assisted by Richard Edwards - March '88 at the Townhouse [...] Recorded at Allerton Hill except where stated. Mixed at Metropolis Studios except where stated. These performances were digitally recorded on two linked Sony '3324' 24-track machines with Apogee filters and mixed back on to two tracks on the same machines. The album was then digitally compiled at West Heath Studios

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